Cheats For Fire Red On Vba

Street Power

I have never relied too much on the street power of these riots started with large street rallies shouting slogans, burning flags and portraits or creating, basically, disorder and instability. Surely that's wrong with me because I never liked the street to or participate in demonstrations and more.

Hosni Mubarak, the Egyptian President
time (Source: absolutegipto )

crowds overwhelm me, and also , I never get to be 100% agreed everything the protesters defending or especially condemned. The street is a rather primitive and tribal environment, utterly devoid of nuance. To participate in this kind of rioting, must communicate fully with a basic theme. So street riots that succeed are those with an immediate objective, simple and seamless. For example, hold a ruler or an entire regime.

The power of the street is essentially destructive and destabilizing, and hence its principal risk. With an intention expressed in four words (or even two, Out Mubarak ), its success lies in getting create chaos. Ending a government with a regime with a system, is within reach of the street. Especially if there are economic motivations core (a high cost of living, for example, can not survive even a majority). Political motives are false in street riots.

Thousands of people protesting in the Plaza de la Liberation

Cairo (GETTY; Source: El País )

I distinguish here between events (time-limited and defined, often with political motives, in which participants make a stop on their daily activities to express their views on the street) and street riots (unlimited and indefinite duration, where most idle participants change reality by necessity on the other belligerent and very critical of the power, by the time it takes to achieve your goal, or perish).

What we are witnessing the last few weeks (in Tunisia, first, in Egypt, so very special in other countries like Yemen and Jordan in a more peripheral) are true street riots provoked by the popular anger against a government and / or a regime that stifles their perspectives are vital, they press their household economies beyond the limits of subsistence. Normally, the political motivations are added for purposes of achieving the generosity and benevolence of the international media, more likely to understand and support for democracy riots that to eat every day.

While the whole of humanity is at very different levels of the Maslow pyramid should make up a little motivation to make them more easily understandable (and shared) by other . When most people in the countries of the Third World (or even some emerging countries) are struggling to complete their level of Physiology (food, rest ,...), the so-called developed world's population has covered its basic needs, and may engage levels or Self-Recognition.

Egyptian tanks praying before
(Author: John Moore; Source: RTVE)

The great risk of street power is its only destructive. When it appears to have achieved the goal of destroying what we wanted to destroy (the autocrat in power has decided to flee the country, or has agreed to change its regime) is rife with confusion. Because for the next phase, you need other actors are not the power of the street. It takes the political actors engaged in building a different reality, a new scheme, a government with other concerns.

We start from the assumption that any regime dictatorial or autocratic is sustained by several factors. On the one hand, support a portion of the population (possibly taking advantage of the scheme), and other interested support of some international estates. When built, all political actors (the opposition, if defined shapes, the political forces that supported the ousted regime, trying to avoid outrageous and unfair account settings, international organizations) must agree on the new criteria for reform the government in a way that is sustainable. At this stage questions abound; the wrath of the street can grow again, to see certain members of the regime destroyed sitting at the table with other forces banned until that time, and spreads the fear of the new to look too old to be everyone's taste.

and puffed Backed by the power of the street can thrive certain forces or leaders who end up being worse than overthrown. A good example of this evil would be the French Revolution. Destroy the old regime was done basically on the street. But the new rulers introduced new factors of distortion, and the country took almost thirty years to find a new sustainable and peaceful course. France had to go through the Girondins, by the Jacobins, the Terror, by the Empire of Napoleon, ... to begin to find a new path for the future.

Piedras to fight the loyalists
(Author: Manuel de Almeida; Source: RTVE)

Riots inspired from the street can be a catapult for some saviors of the Fatherland, which are the worst kind of policy we know.

is why we must be very careful in how to solidify the gains of the street to a new regime that represents progress and progress for all. One of the reasons why Mubarak, for example, has been an ally and has been protected by the West (including Israel, today one of the main defenders) we could define its role in dam against Islamic extremism (Al-Qaeda and its franchisees). So today one of the main fears that plague the foreign ministries of developed countries has to do with the possibility of street riots end up leading to the creation of a new Islamic state fanatic, exclusive and destroyer heretic.

The Muslim Brotherhood, for example, banned and ostracized, marginalized and even the underground by the Mubarak regime has been laid these days on any of the policy table is to define the framework of a new regime in Egypt.

These episodes experienced in recent weeks can be a fantastic opportunity for the world in general and the Arab world, most notably. Can lead to a political transition (and economic) that lead them to a certain currency, which could not even dream of the previous regime. Can give birth to new systems more inclusive, more democracy, where citizens get a better redistribution of wealth and income, and in those countries can develop a new middle classes, which are, after all, the major guarantor of stability in a country.

Egyptian street barricades
(Source: Public )

When a country there are only a meager upper classes hipermillonarias for having participated in the looting of wealth perpetrated by the regime, and huge classes in poverty threshold, there is really no one who is concerned about the progress of the country. A rich, if things get bad, they can always escapes the action of gold in their mansions in Paris, London, Berlin or New York, and live sumptuously flow rates in the country illegally exported. And miserable classes, the country brings to heave, then have nothing to lose.

transition These scenarios are extremely delicate, because a misstep can lead to worse things even more, and to replace one oppressor for another, some rich and others (oligarchs and / or mafia ) without any change or progress to really reach the masses. To illustrate these facts, I recommend reading the book Globalization and its Discontents , Joseph E. Stiglitz (Nobel laureate 2001) (thank you, Pilar!). It reviews the major errors committed by some leaders who blindly followed the instructions of certain international organizations, notably the IMF (International Monetary Fund).

Among the scenarios being discussed in the book, is the transition (political and economic) of the former Soviet bloc countries in Europe in the late 80 and 90. From one point of view, we could compare the situation of these countries before the collapse of the unifying power of the Kremlin which may face in the near future countries like Tunisia, Egypt or the rest of the area. Among the former Soviet bloc countries could tell some excellent students from the IMF (as Russia), with disastrous results for the country, and other more unruly students (Poland) with results for the country, in the medium and long term much more positive. In such cases, success depends basically on how fast (or slow) and the priority with which the necessary reforms are carried forward. If pursued great success in the short term, it usually involves a failure for the country in the medium term. The new oligarchs and mafias in power to replace the former rulers, and for the vast majority of the population there is no progress, but rather a network and fall without much suffering.

Mohamed ElBaradei, Nobel laureate and opposition to Mubarak
(Hans Punzo / AP; Source: The Guardian )

In what may be the transition from some Arab countries, the main concern for the West is the creation of new Islamic states that they become a haven for terrorists. That should play an important role moderate Muslim political forces. In Europe in the second half of the twentieth century, played a very important political forces identified as Christian Democrats. It is very exciting to think that the political forces could be called Muslim Democracy can develop an equivalent role in the Arab countries in this century. They can carry out the necessary reforms, which could contribute to a better distribution of income, and can get most people in these countries poverty thresholds it takes too long already installed. That are able to develop the framework for new democratic states, mainly to ensure the welfare of its citizens. Learn to live together even with what they dislike (such as the State of Israel).

It certainly seems a possibility that should be fed. Of course, not without risks, which should be monitored and limited. The power of the street used to consume and destroy the old regimes, but to build something new you need other wicker which surely exist in those countries. Is built using the wicker good should be the only obsession developed countries and international organizations. dam States should be a thing of the past, because only fuel corrupt rulers and impoverished populations. And Kissinger's famous phrase about Noriega, itself is a h. .. of p. .., but our h. .. of p. .. should give settled in this new century.

I think the flavors that we perceive we should carry on this path of hope.

JMBA

Lowes Candle Chandelier

COAC PRELIMINARY SECOND MEETING RECAP 2011 (5 February)

The second day of Trial (or Qualifying) of COAC 2011 opened with a chorus of those that promise. Backed by many finals behind (East and West Africans and the year past third prize, The Queens of populism, which gave us such great repertoire), and a brilliant first prize in 2006 with the chorus of the Comedians, Nandi Michaels and his choir of children planted on the boards of the Gran Teatro Falla with Allegro Molto Vivace. Type spectacular and elegant, the black and white three-quarter coats in upholstery fabric, wigs of the eighteenth century, skin floured and neckerchief, to the "Mozart." Marine fancy instruments of the orchestra, also white, cello anchors as a kind of lifeline to the tubes and a spectacular sea horse for the harp. "Come, let us sing a classical piece together" the presentation begins a capella. And so is classical music of this composition to be gaditanizando without breaking the magic orchestra, coming to pay homage to the musicians of the Carnival, with carnival sounds of Paco Alba who surrender this beautiful present. And then came the tanguillos, mama mia, what a way to enjoy. Beautiful classic tango music and Cadiz, tweaking as if half of the chest were the mandolin. Letters to the tanguillo (precious that "The Vine district was his mother ...") and against sexism. In the course of couplets, very funny both Julio Pardo, a preacher of Carnival 2011 and for himself ("This chorus is so small ... no sitting Michaels ..."), and a spectacular chorus of those who make them feel the confetti, the people and the joy of a good carousel itself. The medley is really a musical prodigy who mixes classical pieces with more contemporary, yet in that uniform hue Cadiz carnival and very well sung and achieved. An apotheosis: "Son of the Vine-making and, lunita, lunera, there you go, stop pavonearte the sky," the authors review of choirs and processions, with music perfectly hooked in Welcome, Aragón, Ares. .. well done a tribute to the music of Carnaval de Cádiz. Congratulations, Michael and all the children's choir. Surely, the Tanguillo proudly count with lots of new lyrics to the rhythm of your music and voices throughout the COAC 2011.

continue the night with the joke Cadiz "Those who hold the line" and the double meaning results in a kind of old telephone operators. The presentation is somewhat warm, sticking out at the rate loop, noting that "after the Saints come, but plots to blow off steam a little chirigotero style. In pasodobles with music and pretty much clasicona, denounce the Children's Act and the crisis Zapatero. Already in the course of couplets, cooled a little more. The first of the famous (?) Medium of television, and the second to the Chinese. Chorus very street, in reference to the type. The medley was undoubtedly the best of the repertoire of yesterday, "The Cadiz the caller is standing or Cutting off." Has their good shots and it seems that the public gets warmer, so a fairly good joke. Gives me to hear more of them in the next phase.

then the performance of the troupe of Tarifa, "The kingdom of the Beach", which last year was "The cream of the crop" without passing the Preliminary stage. With the sea in the background, the type is very simple and tasteful. The presentation starts with the sound of the waves, very good well-balanced voices and beautiful music. A sweet little letters, seafood, compliments, Cadiz. Pasodobles very nice, worth listening again and enjoy the first critical Esteban Bethlehem and the second anniversary of Cádiz CF (my Cadi). Funny couplets on the Tom Cruise movie and Bustelo's daughter ... to refrain in this line very chic and a daring young troupe. Good voices and appealing music (without a break these extras) for a medley that covers the beaches of Cádiz. I also think that I will know more repertoire of these guys in rooms. For example will suffice:

continues the session with "The Toreros Multipurpose", which last year were "The Ministers." This time there is wordplay: the type of fighters that the same tacky to kill a bull worth it to fix a chair. And they point out in his presentation. Given to me to be much more fun on the street, since they do not stop to justify the type. Pasodobles very characteristic whistle in his introduction, with some funny jammed with music that is appreciated very clasicona. Both are pasodobles chirigotero (of which make you laugh or seek), the first referring to the type, the second very original and funny devoted to different brands of alcohol. Already in the couplets, the first at the Anti Snuff and cuts and the second criticism of Zapatero. Correct both, and a resultón chorus (I insist, it sounds very street), ending by saying "Cai bullfighting are you." Decaying potpourri a little, although it has a pretty good spot right at the end ... I acted on his move to the next pass, but I'd love to hear on the street.

And finally came the moment awaited by a horde of fans around the world: the carnival of Jesus Welcome. After the runner trilogy that culminated with the first prize last year (the Mende lerendas, The revelers, Los Santos), my main question was whether this group would put on stage a kind of rogue sobraditos seductive. In this case, for me, end up stale, old maid pa and sandwiches as Don Mendo. Welcome and warned that with all the work in recent months (anda unemployment has not dropped this man hiring assistants to go wearing panties and bras that will show the troupe), the training has developed in just months.

Last night I had a feeling like it did in the days when the boy came to the stage breaking all preconceived idea of \u200b\u200bcarnival, breaking rate, breaking with music, with lyrics, with outlines ... Similarly, not beaten. The guy who defend this year's Welcome is complicated fabric: the currelantes circus workers they are treated like clowns and they have to juggle to make ends meet. I recognize that the allegory is complex, but nice. And I think they get it clear. Now, yes ... spare me crapulines speck of both fervor unleashed, and eye, too much in this type. I mean, I know it's fake bravado, posturing extras. But for me, should have thrown more sustained rate of "sad ballad trumpet" (now so fashionable) and have been more raw. Smiled-painted the seat (oy, what this script?) With something more than tragedy and anger. Otherwise ... piece of parade, yes sir. Welcome musically it is very clear: ease seductive melody and a stamp so great that even have to be careful with her more than anything because you can, and perhaps this happens with this band, sound like "more of the same." The group ... ten. Has achieved a perfect sonority, property and want to hear. Like a lot. So this is a new type of carnival that startled me and me in that famous medley of The Night owls: the rowdy troupe, cool, that of small square and stroll, to which poetry comes out as a compliment as a bricklayer, is say, honest, bare and simple. But, I say: Beware. Because you can not always provide the same to respectable. Having said that, we focus on the presentation: emphasizes the bass, guitar ... and the style that you hear and say "call me the Holy City for all ...". Remains low and accompanied by the trumpet, while denouncing that "they laugh at you and me" and the workers are turning into circus. Good presentation, risking much in the circus. The best, the music and the quality of this group. Pasodobles arrive and, I admit, the thrill of good points, though the break in the second string. The first letter, a declaration of love to the public (as is customary this letter) and the second explains the absence of the group in presenting the Cádiz Carnival in Madrid, (Teo welcomes the criticism, and the public eats a palm), with all due respect to his teammates, who did go. Two good lyrics for a music very nice and very "alley", which I hope to fill with more and more letters, but yes, somewhere in the paso doble, in a pause, could you started with any of the above groupings we heard of this author and with this group. I felt something fast interpretation ... relax, and let us taste. The batch of couplets is to remove his hat (or helmet): funny to burst and another one of those choruses that corearemos lot. The first, on a possible pickup with a fan and the second to the interest of his mother to Caralibro (Facebook), both with a twist ending escapades. The medley is very assertive, difficult as they develop the allegory of the type, very, very, very typical for this author. In short, a great carnival that I hope will supply with good lyrics that feeling of "seeing as" (and will, no doubt), and hopefully much more in the quarterfinals and semifinals. And as everyone can see performances by the "llutuve", here are the source of inspiration:

After the break, came the joke of the line "bracelets." With type of tourists, quite easy as pie, the presentation is somewhat limp, developing the type of drivers getting involved. They do not sound bad, but not hot at all. The pasodobles, music just right but something we talk about the drivers and that while the Line, are Cadiz. In the course of couplets, somewhat bland, the first "crystallite" (cold) and attempts to have a child of her sister (templadito). Concerning the type Chorus, under the Law of Snuff. In the medley, click this joke ... and little attention is dispersed. I do not think we see in the next phase.

troupe was followed by mixed (mixed with X's) of Las Cabezas de San Juan, The Rise of a historical to break into a correct presentation but unobtrusive music and lyrics. To my taste, the female vocals work best for bass. Pasodobles Both also have a successful and enjoyable music, but not shaken. Voices better balanced to me that submission, the first brings an invitation to lift itself from the rate in the Carnival, and the second (just over tragicón), the story of a love broken by death. The couplets are very cabaret, the first one worn by women (very fine) to the men who answer. The second, just in reverse. Sounds better the second, with a chorus prototypical troupe and the type that bring us. The medley is dispersed enough in this survey ultrasolidario and mood ... comparsa acceptable, though depending on the level, maybe we will end with wanting more repertoire.

And after the parade, arrived from Cadiz joke "Those who fill the Playa Victoria (Cadiz Rubio Platinum), with such artists as they come along slowly on stage. Cold presentation Justito grace and interpretation. Pasodobles improve, especially musically, the first one to Holy Week in Cadiz (nice, but strange) and the second claiming the Bedouins (olé, olé olé and). In couplets, short and chorus accompanied by little closer, we talk of doping and bedroom issues mixed with the brothers. The medley is more about the kinds of artists and summer beach, without too many points ... perhaps better on the street.

Finish this session (very short, like yesterday) with the performance of the troupe "The Second" of Sevilla, who last year were "Little Words." Beautiful allegorical type over time, very, very nice. Overall performance somewhat accused of nerves, with musical references to welcome mixed with clasicón and square as the stooge of a lifetime. The presentation is allegorical and cheerful, nice music, perhaps poorly defined, but very nice. Both music pasodobles very successful, the first one criticism of the lawyers, the latter very nice (the fear, respect for fear change today ... it is very welcome) criticism of the famous article 26. The couplets, the first at his wife, the second (very good) to a friend green, both with preventing break through some component strain the chorus's own troupe, allegorical, deep and energetic. The medley is very nice, without respite, a stream of songs (perhaps a bit sparse), but with several very nice musical touches, and a very well-ticking the allegorical type I chala. Hopefully have a chance to iron out small details in an upcoming quarter performance ... I enjoyed myself.

Free Online Brazilian Wax Instructional

COAC PRELIMINARY FIRST MEETING RECAP 2011 (4 February) 2011 COAC

Last night, at last, opened the curtain on the Gran Teatro Falla COAC to start 2011 with the first session of this year Trial. And they have already dropped the first two penalties with the rigorous application of rules. This means that not save a single group of those that are part of the competition. Or at least should not.

The first performance of this very short session was already a veteran choir Seville "Café Teatro Alameda, which last year Miguel Angel Cáceres bring us as "Bartender of Cuba" and has not yet managed to move from Pre. The choir brings Triana French airs and very accurate and lively music and a colorful and very classic type (frac brilliant pieces on the lapels and black jackets for musicians, red, white and blue in ascending top hats topped with short) . Tanguillos (first on the expulsion of Romanian Roma from Zarkozy, with reference to shrimp, and a gem of Cadiz second letter talking about as a tale - "There was once a wizard who crossed Puerta de Tierra ... -) with classical music and exquisite. couplets something looser, but solved with art The first reference to his position in the order of performance last year (Preliminary closing) and opening the contest this, "give us the keys to the Theatre." The second dedicated to the miners of Chile, with the "I am mine" basis. Chorus calling for the pass Rooms. The medley is nice, if somewhat scattered (repeat the word a lot over the entry ...), though: happy, very rhythmic, and always tending to the classic. I'm not sure that this year to pass from phase.

Indeed, this choir penalized for exceeding 10 seconds in the implementation of its presentation with 3 points.

Les

the joke went on stage in Puerto Real "The right handed moo", which last year reached the failure to "The Caracartón" without get past the preliminary stage. With a unique "Valley of the Fallen" deep, chirigotero bring these type of character in the series called "Aida" Tele Cinco "Mauricio Colmenero" ... hence the insistence on the right-handed they are. The presentation will starting getting good feelings and laughter. Chirigotero pasodoble good music, easy and fluid, with lyrics dedicated to the ban on bullfighting in Catalonia and Cadiz, with a letter in the emotivísima displayed distinguished players my beloved team. Crescendo ... paint very well. Very successful series of couplets, jokers and chorus that perfectly round two. The first with the foreign restaurants (auction predictable, but nice) and the second to their children "misguided" (hippies and republicans) who join the military. And do not stop very "Catholic" because of a Yugoslav ... smiles again today. Good sign.

The medley is worth listening to. With music by "Spain, new shirt" or "Saints", it seems that decayed in jest ... until they reach autonomy list. Recommended to recite this quatrain in schools and primary schools. And so, still drawing very rightly point to the type, call a hippie to rate Zapatero chotis and advising ... until they invoke Paco, rises again. And it is precisely that they hoped to Paco's on. When Franco, this time it involved, the right-handed attempt to paint the thing "better" than it is. Many laughs and a nice chirigotero time. Personally, although it depends greatly on the level of other groups that it was high last year, I hope to see you at the next stage of rooms.

continue the evening with the troupe Cordoba "The Contenti Molto, which last year brought us" The Malaventurados " Preliminary pass without getting, but other years, "The more the p'allá" or "The Fifth" reached Rooms. The Italian circus troupe go with bright colors on the type something rancid, and the sound of a tarantella sing "Bona sera" (do not know why, I recalled the "Good Morning" by La Milagrosa). Draws attention to the placement of the musicians, seated. Pasodobles continuing, correct if somewhat cold, Cadiz and swinging on the famous article 26. Nice interpretation, though. Chorus poussin, including their instrumenti, perhaps too much for a parade, the second one on the karaoke Chupa and with reference to Aragon. Nice. Potpourri very bohemian, with a profusion of instruments and rhythm, moralizing and ending with joy. Beautiful and, as I said, very well sung. Depend on the level ... a priori, the correction would go through, although I like to see more code.

Then came the coldest time of night. The quartet is always a hard mode where they exist. Stated after the show's director of tests that were lacking ... no doubt will delight in the street, but the tables are made harsh to this group, the quartet The Grand Press, which was quarter last year with the Quartet Goals. " Brother theme with a skit centered suffered various problems Borriquita gang last year. Very cool. The audience was stunned and their minds are scattered. Light couplets, I remember that on the Chinese and in-law. Chorus guarrete something. In the free theme is released something else, they get more comfortable in the type and the public seems to tuck. Many up brother over the PA ... may deserve the opportunity to loose more, but so cold (and pun intended), I do not happen to rooms. "Bad" is that this method is very helpless.

Y After this little setback, the most anticipated of the night and one of the most anticipated of all the carnival, the carnival barker that was last year: Jose Luis Garcia Cossio, Selu. This year, breaking the pair of third prizes and anthology "The enterao" and "not hear" Selu eighties brought us some lolailos fully engaged in the type, deeply tacky in playful homage to Chicane, the Chungking. .. with certain air of Camela. Missing goat. Number One in Sales (and station). Musically superb, the whole repertoire is a remix of the cream of ninonino repertoire. The presentation has great points, the pasodobles (A Belén Esteban Ma to the theme and the theme Air Traffic Controllers When does the Talgo?, Duly presented in the finest calorro), scandal, especially the kind that point itself toward the end. Couplets to drugs and athletics and Messi Golden Ball, with a catchy and singable chorus, which is much cheer for. Mamiiiii ... Do not leave me deaf ... you sing so you ... The laughter and aches ... and came to a perfectly spun medley to his own music, you sing the memory from beginning to end. Something short, in my opinion ... or is it that made me short. This group does not disappoint in any aspect and deserves to be heard in full their performance in this first session of Preliminary coming here to relax. Indeed, this group of Selu penalized 3 points for exceeding a minute and half in the assembly. Much more than I assume that we will see in the quarter and semifinals, and then we will see continue ascending the repertoires of these good people. Of course, depend on the level (very high) that are in the finals of 3 groups decaffeinated ...

After the intermission, the intervention of the joke of Rota "Manolito Trace." Timba type of poker, with different nationalities ... pretty presentation achieved much that reminded me to bring the Vera Luque with "Those who are on duty" and that will take the top prize last year in the form of joke. This group has a fair presentation, and by the pasodobles bring us two good letters to the crisis and housewives. The music is somewhat opaque and suffer voices. In couplets, the first on the child who catches the parents on the subject and the second on the 3D glasses. Chorus turns very chirigotero to the Anti-Tobacco Law. Potpourri halfway between the neochirigota veraluquísitica and pure taratachín vineyard, with some points and a curious explanation of the rules of poker, full of double meaning itself. Anima the roost, but nerves are felt in the voices. I do not pronounce on the move to the next phase.

continues

young troupe "The Salvamundo" of Chiclana. Free somewhat cold, but with a very successful music. To my taste, lacking filling in vocals, bass balance with these soldiers on a peacekeeping mission. Fair presentation and dreamy, pasodobles suffering from nerves in the execution, something out of tune, the first on humanitarian missions and the second on child soldiers. Something lank ... Dull couplets, the first on recycling, the second on the laziness of some soldiers. Cupleses cheerful, with a chorus something very topical and dispersed. Soso. Potpourri

nice, where youth can see the illusions, the freshness of these troupes, with allusions to the front, mission accomplished. Nervous, lack, as I said voices. I do not think moving from Trial, but has good stuff.

And from youth to seniority more carnival with guerrilla joke You want it, that reached the quarterfinals last year with "old Zaragoza, with type of guerrilla Mexican. Canberra and very experienced, entertaining presentation, tolerance and effective. Adjusted Pasodobles type: guerrillas. Very classical music of this joke that is a pleasure to hear, the first letter claiming Gadite union front, the second defending youth. Very nice both. In couplets, poussin, talk about new business trends and new chapel theme. Chorus warms to the public ... in every way. The medley is stale, with puns (marry the sister of pa Bartolo take it easy), winks at Adelitas and Ennio Morricone. Clasicazo of joke and waste of pure carnavalerío tables. Hope to see you in rooms and get to catch that chorus bunting.

And I have no video of this Group ...

To end this session (Am I the only one surprised by its brevity?), The troupe of Valverde del Camino, "The chatty" with such fresh and simple, allegorical, presented in a profound way between Aragon and Ares, beautiful music, lyrics and workmanship. Pasodobles pinch, though slight, mild, the first to flamenco songs and the second is a fierce criticism of the reality. Correct and quite beautiful albeit a bit scattered letters. In couplets, the first devoted to the smoking ban and the second Zubiela and moves / signings media of the groups. Very well finished with some apreço a "joined the louse, he went out and lost frog skin. "Chorus complicated, some edge. The medley continues on the line: beautiful, well-sung, a round with praise and deep allegory, something Aragon as I said earlier." If the mouth dies Alegre ...". fish, although a bit scattered, get tone and has a sweet aftertaste, with many points of vocal quality. Very nice parade, no doubt looking for his spot in the quarter.

good feeling, but not complete satisfaction. The second day promises great performances or at least I have that feeling of anticipation. I stay, no doubt, Selu, with jokes of the right and the guerrillas and the latter comparsa de Valverde del Camino.