The second day of Trial (or Qualifying) of COAC 2011 opened with a chorus of those that promise. Backed by many finals behind (East and West Africans and the year past third prize, The Queens of populism, which gave us such great repertoire), and a brilliant first prize in 2006 with the chorus of the Comedians, Nandi Michaels and his choir of children planted on the boards of the Gran Teatro Falla with Allegro Molto Vivace. Type spectacular and elegant, the black and white three-quarter coats in upholstery fabric, wigs of the eighteenth century, skin floured and neckerchief, to the "Mozart." Marine fancy instruments of the orchestra, also white, cello anchors as a kind of lifeline to the tubes and a spectacular sea horse for the harp. "Come, let us sing a classical piece together" the presentation begins a capella. And so is classical music of this composition to be gaditanizando without breaking the magic orchestra, coming to pay homage to the musicians of the Carnival, with carnival sounds of Paco Alba who surrender this beautiful present. And then came the tanguillos, mama mia, what a way to enjoy. Beautiful classic tango music and Cadiz, tweaking as if half of the chest were the mandolin. Letters to the tanguillo (precious that "The Vine district was his mother ...") and against sexism. In the course of couplets, very funny both Julio Pardo, a preacher of Carnival 2011 and for himself ("This chorus is so small ... no sitting Michaels ..."), and a spectacular chorus of those who make them feel the confetti, the people and the joy of a good carousel itself. The medley is really a musical prodigy who mixes classical pieces with more contemporary, yet in that uniform hue Cadiz carnival and very well sung and achieved. An apotheosis: "Son of the Vine-making and, lunita, lunera, there you go, stop pavonearte the sky," the authors review of choirs and processions, with music perfectly hooked in Welcome, Aragón, Ares. .. well done a tribute to the music of Carnaval de Cádiz. Congratulations, Michael and all the children's choir. Surely, the Tanguillo proudly count with lots of new lyrics to the rhythm of your music and voices throughout the COAC 2011.
continue the night with the joke Cadiz "Those who hold the line" and the double meaning results in a kind of old telephone operators. The presentation is somewhat warm, sticking out at the rate loop, noting that "after the Saints come, but plots to blow off steam a little chirigotero style. In pasodobles with music and pretty much clasicona, denounce the Children's Act and the crisis Zapatero. Already in the course of couplets, cooled a little more. The first of the famous (?) Medium of television, and the second to the Chinese. Chorus very street, in reference to the type. The medley was undoubtedly the best of the repertoire of yesterday, "The Cadiz the caller is standing or Cutting off." Has their good shots and it seems that the public gets warmer, so a fairly good joke. Gives me to hear more of them in the next phase.
then the performance of the troupe of Tarifa, "The kingdom of the Beach", which last year was "The cream of the crop" without passing the Preliminary stage. With the sea in the background, the type is very simple and tasteful. The presentation starts with the sound of the waves, very good well-balanced voices and beautiful music. A sweet little letters, seafood, compliments, Cadiz. Pasodobles very nice, worth listening again and enjoy the first critical Esteban Bethlehem and the second anniversary of Cádiz CF (my Cadi). Funny couplets on the Tom Cruise movie and Bustelo's daughter ... to refrain in this line very chic and a daring young troupe. Good voices and appealing music (without a break these extras) for a medley that covers the beaches of Cádiz. I also think that I will know more repertoire of these guys in rooms. For example will suffice:
continues the session with "The Toreros Multipurpose", which last year were "The Ministers." This time there is wordplay: the type of fighters that the same tacky to kill a bull worth it to fix a chair. And they point out in his presentation. Given to me to be much more fun on the street, since they do not stop to justify the type. Pasodobles very characteristic whistle in his introduction, with some funny jammed with music that is appreciated very clasicona. Both are pasodobles chirigotero (of which make you laugh or seek), the first referring to the type, the second very original and funny devoted to different brands of alcohol. Already in the couplets, the first at the Anti Snuff and cuts and the second criticism of Zapatero. Correct both, and a resultón chorus (I insist, it sounds very street), ending by saying "Cai bullfighting are you." Decaying potpourri a little, although it has a pretty good spot right at the end ... I acted on his move to the next pass, but I'd love to hear on the street.
And finally came the moment awaited by a horde of fans around the world: the carnival of Jesus Welcome. After the runner trilogy that culminated with the first prize last year (the Mende lerendas, The revelers, Los Santos), my main question was whether this group would put on stage a kind of rogue sobraditos seductive. In this case, for me, end up stale, old maid pa and sandwiches as Don Mendo. Welcome and warned that with all the work in recent months (anda unemployment has not dropped this man hiring assistants to go wearing panties and bras that will show the troupe), the training has developed in just months.
Last night I had a feeling like it did in the days when the boy came to the stage breaking all preconceived idea of \u200b\u200bcarnival, breaking rate, breaking with music, with lyrics, with outlines ... Similarly, not beaten. The guy who defend this year's Welcome is complicated fabric: the currelantes circus workers they are treated like clowns and they have to juggle to make ends meet. I recognize that the allegory is complex, but nice. And I think they get it clear. Now, yes ... spare me crapulines speck of both fervor unleashed, and eye, too much in this type. I mean, I know it's fake bravado, posturing extras. But for me, should have thrown more sustained rate of "sad ballad trumpet" (now so fashionable) and have been more raw. Smiled-painted the seat (oy, what this script?) With something more than tragedy and anger. Otherwise ... piece of parade, yes sir. Welcome musically it is very clear: ease seductive melody and a stamp so great that even have to be careful with her more than anything because you can, and perhaps this happens with this band, sound like "more of the same." The group ... ten. Has achieved a perfect sonority, property and want to hear. Like a lot. So this is a new type of carnival that startled me and me in that famous medley of The Night owls: the rowdy troupe, cool, that of small square and stroll, to which poetry comes out as a compliment as a bricklayer, is say, honest, bare and simple. But, I say: Beware. Because you can not always provide the same to respectable. Having said that, we focus on the presentation: emphasizes the bass, guitar ... and the style that you hear and say "call me the Holy City for all ...". Remains low and accompanied by the trumpet, while denouncing that "they laugh at you and me" and the workers are turning into circus. Good presentation, risking much in the circus. The best, the music and the quality of this group. Pasodobles arrive and, I admit, the thrill of good points, though the break in the second string. The first letter, a declaration of love to the public (as is customary this letter) and the second explains the absence of the group in presenting the Cádiz Carnival in Madrid, (Teo welcomes the criticism, and the public eats a palm), with all due respect to his teammates, who did go. Two good lyrics for a music very nice and very "alley", which I hope to fill with more and more letters, but yes, somewhere in the paso doble, in a pause, could you started with any of the above groupings we heard of this author and with this group. I felt something fast interpretation ... relax, and let us taste. The batch of couplets is to remove his hat (or helmet): funny to burst and another one of those choruses that corearemos lot. The first, on a possible pickup with a fan and the second to the interest of his mother to Caralibro (Facebook), both with a twist ending escapades. The medley is very assertive, difficult as they develop the allegory of the type, very, very, very typical for this author. In short, a great carnival that I hope will supply with good lyrics that feeling of "seeing as" (and will, no doubt), and hopefully much more in the quarterfinals and semifinals. And as everyone can see performances by the "llutuve", here are the source of inspiration:
After the break, came the joke of the line "bracelets." With type of tourists, quite easy as pie, the presentation is somewhat limp, developing the type of drivers getting involved. They do not sound bad, but not hot at all. The pasodobles, music just right but something we talk about the drivers and that while the Line, are Cadiz. In the course of couplets, somewhat bland, the first "crystallite" (cold) and attempts to have a child of her sister (templadito). Concerning the type Chorus, under the Law of Snuff. In the medley, click this joke ... and little attention is dispersed. I do not think we see in the next phase.
troupe was followed by mixed (mixed with X's) of Las Cabezas de San Juan, The Rise of a historical to break into a correct presentation but unobtrusive music and lyrics. To my taste, the female vocals work best for bass. Pasodobles Both also have a successful and enjoyable music, but not shaken. Voices better balanced to me that submission, the first brings an invitation to lift itself from the rate in the Carnival, and the second (just over tragicón), the story of a love broken by death. The couplets are very cabaret, the first one worn by women (very fine) to the men who answer. The second, just in reverse. Sounds better the second, with a chorus prototypical troupe and the type that bring us. The medley is dispersed enough in this survey ultrasolidario and mood ... comparsa acceptable, though depending on the level, maybe we will end with wanting more repertoire.
And after the parade, arrived from Cadiz joke "Those who fill the Playa Victoria (Cadiz Rubio Platinum), with such artists as they come along slowly on stage. Cold presentation Justito grace and interpretation. Pasodobles improve, especially musically, the first one to Holy Week in Cadiz (nice, but strange) and the second claiming the Bedouins (olé, olé olé and). In couplets, short and chorus accompanied by little closer, we talk of doping and bedroom issues mixed with the brothers. The medley is more about the kinds of artists and summer beach, without too many points ... perhaps better on the street.
Finish this session (very short, like yesterday) with the performance of the troupe "The Second" of Sevilla, who last year were "Little Words." Beautiful allegorical type over time, very, very nice. Overall performance somewhat accused of nerves, with musical references to welcome mixed with clasicón and square as the stooge of a lifetime. The presentation is allegorical and cheerful, nice music, perhaps poorly defined, but very nice. Both music pasodobles very successful, the first one criticism of the lawyers, the latter very nice (the fear, respect for fear change today ... it is very welcome) criticism of the famous article 26. The couplets, the first at his wife, the second (very good) to a friend green, both with preventing break through some component strain the chorus's own troupe, allegorical, deep and energetic. The medley is very nice, without respite, a stream of songs (perhaps a bit sparse), but with several very nice musical touches, and a very well-ticking the allegorical type I chala. Hopefully have a chance to iron out small details in an upcoming quarter performance ... I enjoyed myself.
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