Before starting the quarter, and not those of the bell nochenueva, and while I get to go finish the chronicles of each of the qualifying sessions, Preliminary, I stop and reflect on what happened in the contest until today.
I remember reading a comment saying that a group should take all the artillery from the first performance. Well, what can I say: it depends. Because in the Preliminary round of what is seen is primarily the type, the ways, where the thing going. Balls can stick, or go rushing and slicing if your performance is produced in the last days (for example Response to Canijo Swirl Kike). But Competition is a living thing: some people are struggling to break into rooms and have to burn all their artillery in this pass. Some have tables and banter and compass to stay calm. And the guy, never better.
The troupe is getting close. And it is not to stop to be, but for a few years went something no root and accuracy. It seems that the authors have defined (and redefindo) spaces, and break every one to form the murallitas that had been imposed. In chirigota the thing explodes after a few years "lazy" mode has broken off and well trained that every time try to be more practical, more street and more Cadiz (holding some of the styles that are defined and so very much enjoy and enrich). Off mode also harder and more hilarious: the quartet. Undoubtedly, there are golden years. And the best news for me is the explosion of choirs from many different types in this COAC: chorus classic, many, little ones, mixed, gay, Seriot, modern, ski, colors, black and white ... recovering the language of Cadiz: His Majesty the Tango.
The pools and I've been throwing, but that will be subject of further discussion. Topics: evidently the crisis and unemployment, the world, abuse, Belén Esteban, Chile miners, the Chinese y. .. Juan Carlos Aragon. Now stretch touch with the revolution in Islamic countries, trials for the murders of Martin del Castillo and Mari Luz ...
However, after this first night of broken glass and knives long, successful clusters have fallen campus. And if I start let me cite a few out. I encourage you to discuss your likes and dislikes about the decision of a jury in a regulation straightjacket which also has sung a lot. Yes I can comment on some figures: Preliminary COAC 2010 took place in 16 sessions of 10 or 11 performances each, for a total of 163 groups. The present, in 18 sessions of 8 or 9 performances to 154 (unless groups, more shorter sessions). In cutting rooms, two years removed to 100: in 2010 became 63 in 2011 have passed 54. Ie not fixed the number of clusters that pass, but they are removed. I wonder what would happen if 99 groups submitted to the contest. In 2010, the 9 choirs, 28 jokes, 20 extras and 6 quartets (which became the 63 rooms), the semi-finals went to 32 groups: 6 choirs, 13 jokes, 9 troupes and 4 quartets. Casting numbers, the semi-finals in 2011 will 28 groups, with the possible combination "5 choirs, 12 jokes, 8 extras and 3 quartets.
For now, I leave with performances by the quarter of this COAC 2011:
TUESDAY, FEBRUARY 22
CHORUS CAFÉ TEATRO ALAMEDA
CHIRIGOTA MUSICAL righties SKILLED MUU Comparsa
MOLTO THE QUARTET
Contenti WHICH THE MONO Amedia and took it away from
MIDDLE CHIRIGOTA MUSICAL NUMBER 1 IN SALES (AND REFUELING)
REST
CORO ALLEGRO MOLTO VIVACE
CHIRIGOTA MUSICAL MAINTAINING THE LINE
Comparsa THE KINGDOM OF THE BEACH
CHIRIGOTA MUSICAL DOG \u200b\u200bCHARMS
WEDNESDAY, FEBRUARY 23
CHORUS DREAM BOX
CHIRIGOTA MUSICAL THAT REALLY wet
Comparsa THE
CURRELANTES FOURTH QUARTER AND HALF CENTURY WELL DESPACHAO
CHIRIGOTA MUSICAL THE
ANTESDEAYESTERDAY REST
CHORUS TRIANGLE
Comparsa THE
VIOLINISTS CHIRIGOTA MUSICAL RICH AND MATURE
Comparsa THE PRINCES
THURSDAY, FEBRUARY 24
CHORUS FILM CÁDIZ
CHIRIGOTA MUSICAL Shinsen VIVA
Comparsa ME THIS SOUNDS QUARTET
EMILIO SPEAK IF ..
CHIRIGOTA MUSICAL VIENNA CHOIR CHILDREN OR
MANOLETE
REST
THE DAWN CHORUS
Comparsa he sang the
PUERTO CHIRIGOTA MUSICAL THE CHOSEN
Comparsa poor devils
FRIDAY, FEBRUARY 25
THE CHORUS MANITAS
CHIRIGOTA MUSICAL THE GLASSES
Comparsa THE MADNESS OF MARTIN BURTON QUARTET
COSTA IMPLIED
CHIRIGOTA MUSICAL TIMES THE POST CADIZ: JOURNAL OF THE MORNING, BUT NOT EARLY
MU REST
THE INFANTRY CHORUS
Comparsa LUIS DEFENDERS
CHIRIGOTA MUSICAL FANS DE LOS SANTOS
Comparsa THE PROMISED
SATURDAY FEBRUARY 26
THE SIEGE
CHORUS CHIRIGOTA MUSICAL MAKERS, SA
Comparsa BACK TO TEST
A QUARTET QUARTET FOR
CHIRIGOTA MUSICAL HISTORY WHICH LIVING BY THE CAP
REST
CHORUS OF MON AMOUR
Comparsa
JUANA LA LOCA LA BANDA CHIRIGOTA MUSICAL OF OLD
Comparsa SEA AMORES
SUNDAY, FEBRUARY 27
FOR AND Colgaos CHORUS, BUT WITH ART BY TOS
CHIRIGOTA MUSICAL THE Juaquin Pamplin, SINGER / SONGWRITER OF THE PLAZA
MINE CROWN Comparsa QUARTET
NOT RUN HERE FLIES
CHIRIGOTA MUSICAL TOUCHES who always dance with the FEA
REST
Comparsa DOLLS OF CADIZ
CAI CHIRIGOTA MUSICAL STORY
NEVER EVER
Comparsa CHIRIGOTA MUSICAL ANGELS and Malange (THE TWO FACES OF CADIZ)
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